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阿哈:带我走高清海报 - 千寻影站_全网影视搜索免费看,片名演员类型精准搜,韩剧美剧动漫全品类,4K 蓝光,影视搜索攻略片单免费在线观看
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2.0

阿哈:带我走

导演:

托马斯·罗布萨姆,阿斯劳格·霍尔姆

主演:

莫滕·哈克特,Magne Furuholmen,Pål Waaktaar-Savoy

别名:

未知

影片信息

2.0

56人评分

德语,英语,挪威语

语言

未知

上映时间

未知

片长

影片简介

Three friends wanted to conquer the world with their music. With their super hit "Take on Me" they actually did. Even today the band a-ha still plays worldwide in front of sold-out arenas.

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奥兰多:我的政治传记高清在线观看 - 千寻影站_全网影视搜索免费看,片名演员类型精准搜,韩剧美剧动漫全品类,4K 蓝光,影视搜索攻略片单
668
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奥兰多:我的政治传记

评分:7.0

更新时间:02月20日

主演:Arthur,Emma Avena,Amir Baylly,Jenny Bel'Air,La Bourette,Nathan Callot,Kori Ceballos,Liz Christin,Iris Crosnier,Naëlle Dariya,Tom Dekel,Clara Deshayes,Virginie Despentes,Eleonore,Castiel Emery,Le Filip,Pierre et Gilles,Noam Iroual,Vanasay Khamphommala

简介:

弗吉尼亚·伍尔夫在1928年创作的《奥兰多》,是世界上第一部主角在故事中途转换性别的小说。在一个世纪之后,跨性别作家同时也是哲学家、活动家的保罗·B·普雷西亚多(Paul B. Preciado),决定寄给伍尔夫一封影像信,告诉她她笔下的角色已经走进现实,奥兰多已经遍布世界各地。                                                                        普雷西亚多发起了一个试镜活动,召集到了26名8至70岁的当代跨性别与非二元性别人士来扮演奥兰多这个角色。他通过这些真实的声音、著作、理论和影像,重构了自己变性经历的各个阶段。他说,每个奥兰多,都是一个要每天冒着生命危险去生存的跨性别者,因为他们发现自己被迫要去对抗法律、历史和精神病学,还有传统的家庭观念和跨国制药公司的力量。但如果“男性”和“女性”归根结底都是政治和社会的虚构产物,那么这种转变就不再仅关乎性别,也关乎诗歌、爱与肤色。

阅读量:3570

年份:2023

奥兰多:我的政治传记

主演:Arthur,Emma Avena,Amir Baylly,Jenny Bel'Air,La Bourette,Nathan Callot,Kori Ceballos,Liz Christin,Iris Crosnier,Naëlle Dariya,Tom Dekel,Clara Deshayes,Virginie Despentes,Eleonore,Castiel Emery,Le Filip,Pierre et Gilles,Noam Iroual,Vanasay Khamphommala

情感的力量高清在线观看 - 千寻影站_全网影视搜索免费看,片名演员类型精准搜,韩剧美剧动漫全品类,4K 蓝光,影视搜索攻略片单
386
5.0
HD中字
情感的力量

评分:5.0

更新时间:02月09日

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

简介:

  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

阅读量:4895

年份:1983

情感的力量

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

阿哈:带我走

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